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Critic Orientation Review - Dunedin
There have been plenty of reviews and even an LP and an EP to tell you how good the Cakekitchen is but sometimes a band can play so well live, NOTHING can prepare you for the performance. For all I know the Cakekitchen may play like this all the time and maybe they didn´t think they were so special. But they were. The three of them - Graeme Jefferies, Rachael King and Robert Key - even look great as a band by just being themselves, which is one hell of a head start.
Those who remember This Kind of Punishment for their angst would´ve been widely surprised to have seen the gaunt faced, glittery-eyed Graeme Jefferies looking perky and full of mischief. His work on that V-Shaped Gibson guitar was a real treat, sometimes delicately picked, sometimes big and gnarly like he´s in the Clean or something, and plenty in between. The bass playing of King and the drumming of Key is also up there, and as a band they have so much control that not even the slower songs sapped the set of any momentum. And the momentum was considerable, despite several short interludes where Jefferies broke strings. They have so many likeable songs and, were it recorded RIGHT NOW, student radio would be thrashing a song called "The Shadow is Me." Neat harmonies and all.
This was one of several new songs they played besides material off the records. To show just how un-po-faced this band is they even did a version of "The Hollies" Magic Woman Touch which also underlined that no matter what they´re up to they don´t lose their power. The song was slowed down, throbbing and full of singing. The two deep male voices nicely offset by King.
Overall they really lift their songs live, giving what may sound a little prissy on record more pep, and the idea of maudlin is utterly obliterated. It was nearing one o´clock by the time they finished - encoring with "Airships" from the Xpressway Pile-Up compilation. In the long break before they came back on stage I´d been sagging. But there I was stamping the ground for more and thinking of how this had left most of the Orientation performances trailing. By plenty.
Richard Langston
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